Showing posts with label 1830s. Show all posts
Showing posts with label 1830s. Show all posts

Monday, November 2, 2009

[NaNoWriMo] Odds and Ends

Some excerpts from my fevered brain:

In an action so indicative of Anne after her return to Macao that her intimates would liken it to breathing, she brought a small, white fist to her torso just under the breast bone, holding it there a while before she could gather her wits about her. Beneath the layers of paramatta silk, crinoline, cotton sateen and linen the long links of a locket lay buried between the narrow valley of her breasts. Beneath the gold and glass lay a small likeness done in watercolor, sketched to the specifications of memory by Cassandra’s deft hands while Anne had critiqued and remarked on the progress. In the end, both girls had been satisfied with the disheveled man of remarkable beauty (which Cassandra thought greatly afflicted, but did not venture to say so aloud) that would spend his days between Anne’s skin and cotton shift. In her diary that evening, Anne had simply written: C. has caught the likeness of Robin’s physiognomy with such cleverness that I feel I will not ever lose the memories of the biblio. As per Shangyin: Never let your heart open with the spring flowers: One inch of love is an inch of ashes.

And tonight's:

Sir Gordon’s hospitality – save the addition of two prized deerhounds, Castor and Pollux, who had the run of the place – was both generous and unceremonious. Although everyone dressed for dinner, it was without the stiff formality Anne knew from Chrysanthemum House or London. Her white on white tambored muslin, though less full than that of the adult guests, was both appropriate and timely. Despite Breadon’s assertions to the draftiness of Roseward, the evening was quite warm as the evening storm necessitated closing the windows against the rain. To amuse themselves for the evening, Trebick had had a fire stoked and one of the gentleman guests – Anne thought he had been introduced as a Mr. Bere – had volunteered his services in the manufacture of jam tarts with iron forms native to the castle. She was sharing hers (somewhat unwillingly) with Pollux on the hopes that he was as resilient as his namesake, when Mr. Ramsay, a neighboring landowner, started in again on the tale of the Wish Hound.

[NaNoWriMo] Insanity? Obsession? Corsets?

Officially as of November 1, 2009, I am once again attempting NaNoWriMo. That would be National Novel Writing Month. The rather ambitious goal of which is to write 50,000 words - the length of a 170+ page novel - by the end of November.

Last year, I only made it to some nebulous area of 8-10K words and then burned out. I learned a valuable lesson: if you don't have an outline - or really, no plot even - you are not going to write a 50K novel in one month's time. The second lesson I learned was that Fantasy writing is very hard without some preemptive world building before the actual writing. In much the same way I have wondered a time or two how the use of magic in Dungeons and Dragons would impact human behavior, it is probably a good idea to have parameters.

So this time I have gone where I have only tentatively gone before: a sketchy outline that morphs daily (mostly I pull 8o% of my stories out of my ass while I'm writing it) and the boundary that I need so as not to go all over the place - and then overwhelm myself. The boundary this time is Britain and Portuguese/Chinese Macao of 1825-1831. A time period I enjoy very much and researched extensively while I was living in Japan - although the introduction of Google Books and my proximity to the NYPL make it much easier. As I enjoy the novels of Stephanie Laurens and Eloisa James, I thought I would try my hand at a somewhat gritty romance novel.

And by gritty, I mean somehow my main character, Anne Edwardes, has a half-sister who is half-Macanese (although I don't know if the nativized Portuguese who lived there referred to themselves as such at the time). Unlike her other half-siblings, Lucy has lost the genetic game of roulette and has the very (time-specific) unfavorable features of her distant Chinese antecedents. So she has to remain locked in the House - her only views of life beyond Chrysanthemum House the Spanish garden in the middle of the building and through a looking glass that Anne gives her. I find a lot of similarities to her plight and the Lady of Shallot - and have to work very hard to not become too interested in her story before writing out Anne's more generic one.

There's the whole issue of Anne's (non-practicing, but obviously) homosexual brother, Sebastian. Lucky for me, the period Earl of Devon - whose residence is ironically close to where the Edwardes' English house is - was actually a confirmed (and reputedly quite good looking) homosexual. Although he apparently lived most of his life in America. Yeah, I think gritty is the word.

Right now I just have to worry about murder, lost loves, mistaken identities and corsets. And it seems to be going alright... if I can divorce myself from the constant need for fact checking. If I could put footnotes ala Jonathan Strange and Mr. Norrell in my novel, I absolutely would.

But I am a nerd.

2808 words on Sunday. 1742 tonight. The goal is the seemingly nefarious total of 1666 words everyday to keep on schedule. And trying not to descend into archaic speak in an attempt to not break character. I asked my Mom if my niece was being "fractious" this evening and knew I was crossing some unspoken line of madness.